'Magellan' review — A mesmeric piece of counter-history
In Lav Diaz's eyes, the "first" voyage around the world is picturesque, hypnotic, and...well, false. And he's come to correct it.
'Some Nights I Feel Like Walking' review — Body of work
Petersen Vargas’ new film finds the aching beauty in found kinship and brotherhood.
'Sinners' shows big fangtasia
Ryan Coogler's singular take on the vampire genre melds together discordant elements into sinful but fascinating harmonies.
'Perfect Days' is an ode to empathy
Wim Wenders' film breathes life into the monotony of routine, transforming the mundane into something deeply personal.
'Pangarap ng Puso' is a genre-bending masterpiece
Mario O'Hara's largely overlooked 2000 film, 'Pangarap ng Puso,' is a genre-bending masterpiece.
'Alone/Together' is Jadaone's return to silent glory
LizQuen graduates in Antoinette Jadaone's drama about the pressures of the modern age.
All's unfair when you're in a 'Third World Romance'
Dwein Baltazar's new film is a thoughtful and endearing tribute to romantic love in a country that is punishingly out of order.
In 'Tiyanak,' the punchline lies in human frailties
Peque Gallaga and Lore Reyes’ darkly comic 1988 classic offers insights into human nature.