
'Paglilitis' review — More of a mistrial
The cost of making a stand feels exponential in a film that hones too much in on the abuse itself.
The cost of making a stand feels exponential in a film that hones too much in on the abuse itself.
In Lav Diaz's eyes, the "first" voyage around the world is picturesque, hypnotic, and...well, false. And he's come to correct it.
Chris Martinez's new comedy thinks Filipinos' obsession with teleseryes isn't just an escape. It's a self-fulfilling prophecy.
TBA has unveiled the trailer for the third and concluding film in their "Bayaniverse" trilogy.
Satoko Yokohama's tender coming-of-age film made us take a trip to Aomori in northern Japan, a seemingly still prefecture at the crossing of customs and modern change.
Petersen Vargas’ new film finds the aching beauty in found kinship and brotherhood.
Adam Stein and Zach Lipovsky’s new ‘Final Destination’ film stokes the fire of an otherwise dimming franchise.
Janus Victoria's debut feature finds a lonely salaryman from Japan yearning for meaning in the city of Manila.
The film stars Mexican actor Gael García Bernal in the titular role.
Ryan Coogler's singular take on the vampire genre melds together discordant elements into sinful but fascinating harmonies.
In honor of twenty-five years for the franchise, we're breaking our regular programming for a quick look-back into the series' most grotesque sendoffs.
Rosales joins the third and latest film in TBA Studios' shared cinematic 'Bayaniverse.'
King Palisoc’s horror film about surveillance feels at odds with itself.
Paris Zarcilla's immigrant horror is steeped with anxiety and unease (but not enough rage).
Mario O'Hara's largely overlooked 2000 film, 'Pangarap ng Puso,' is a genre-bending masterpiece.